Portfolio Editing

Portfolio

Editing

Periodicals

Technosphere Magazine, 2017–18
     (copyeditor of ancillary texts)

Fillip Supplements, 2015–
     (copyeditor and proofreader)

Capture Magazine (Festival Guide), 2015–
     (editing)

&labels, no. 5, 2015
     (copyeditor)

Sur magazine, 2013–15
     (English editor)

Fillip magazine, 2010–15
     (copyeditor and proofreader)

Books

Maria Fusco, Give Up Art, New Documents, forthcoming
     (copyeditor and proofreader)

Marie Thams, ed., Malmö Art Academy Yearbook 2016–2017, Malmö Art Academy, forthcoming
     (copyeditor)

Martin Tröndle and Johanna Schindler, Places of Excellence, forthcoming
     (structural and copyeditor)

Liz Knox, Commentariat, bookwork, 2017

Bas Jan Ader, Discovery File 143/76, New Documents, 2017
     (copyeditor and proofreader)

Vincent Trasov, Mr. Peanut Drawings, New Documents, 2017
     (copyeditor and proofreader)

Lívia Páldi, ed., The Site Residency, Baltic Art Center and Sternberg Press, 2017
     (proofreader)

Sohrab Mohebbi and Ruth Estévez, eds., Hotel Theory, Fillip Editions, 2017
     (editing and proofreader)

Roee Rosen, Live and Die as Eva Braun and Other Intimate Stories, Edith-Russ-Haus für Medienkunst and Sternberg Press, 2017
     (English copyeditor and proofreader)

Mel Gooding and Bruce McLean, Invisible Residency Dundee, Cooper Gallery, University of Dundee, Scotland, 2016
    (proofreader)

Daina Augaitis and Jesse McKee, eds., Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery and Black Dog Publishing, 2016
     (copyeditor and proofreader)

Jumana Manna and Sille Storihle, eds., The Goodness Regime (online publication), 2016
     (copyeditor and proofreader)

Marie Thams, ed., Malmö Art Academy Yearbook 2015–2016, Malmö Art Academy, 2016
     (copyeditor)

Daina Augaitis and Diana Freundl, eds., BHARTI KHER Matter, Vancouver Art Gallery and Black Dog Publishing, 2016
     (editing)

Grand Arnold, ed., Harry Callahan: The Street, Vancouver Art Gallery and Black Dog Publishing, 2016
     (editing)

Lívia Páldi and Olav Westphalen, eds., Dysfunctional Comedy: A Reader, Baltic Art Center, Royal Institute of Art, Stockholm, and Sternberg Press, 2016
     (copyeditor and proofreader)

Trevor Paglen and Jacob Appelbaum, Autonomy Cube, Edith-Russ-Haus für Medienkunst and Revolver Publishing, 2016
     (copyeditor and proofreader)

Colin Browne, I Had an Interesting French Artist to See Me This Summer: Emily Carr and Wolfgang Paalen in British Columbia, Vancouver Art Gallery and Black Dog Publishing, 2016
     (editing)

Benjamin Loyauté, Le bruit des bonbons. The Astounding Candy Power, 2016
     (proofreader)

Marie Thams, ed., Malmö Art Academy Yearbook 2014–2015, Malmö Art Academy, 2015
     (copyeditor)

Jon Rafman, Nine Eyes, New Documents, 2015
     (copyeditor and proofreader)

Maj Hasager, MAKING VISIBLE, Woodpecker Projects, 2015
     (copyeditor)

Mario Garcia Torres and Rodrigo Ortiz Monasterio, Radio Nancarrow 92.5 FM, BOM DIA BOA TARDE BOA NOITE, 2015
     (copyeditor and proofreader)

Seth Fluker and Sheila Heti, Seth and Sheila Stayed Behind, New Documents, 2015
    (copyeditor and proofreader)

Joachim Koester, maybe one must begin with some particular places, Guayaba Press, 2015
    (English copyeditor and proofreader)

David Horvitz, Mood Disorder, New Documents, 2015
    (proofreader)

Jean-Michel Othoniel, Les Belles Danses, Éditions Dilecta, 2015
    (English copyeditor and proofreader)

Marie Thams, ed., Malmö Art Academy Yearbook 2013–2014, Malmö Art Academy, 2014
     (copyeditor)

Will Holder and Alex Waterman, eds., Yes, But Is It Edible?, New Documents, 2014
     (copyeditor and proofreader)

Danh Vo, Go Mo Ni Ma Da, Éditions Dilecta, 2014
     (English copyeditor and proofreader)

Rodrigo Ortiz Monasterio and Kristina Lee Podesva, eds., Tradition versus Modernity, Archivo Diseño y Arquitectura and Guayaba Press, 2014
     (English copyeditor and proofreader)

Dan Starling, The Culture Industry and the Propaganda Factory, New Documents, 2014
     (proofreader)

Karen van den Berg and Ursula Pasero, eds., Art Production beyond the Art Market?, Sternberg Press, 2013
     (copyeditor and proofreader)

Maria Fusco, With A Bao A Qu Reading When Attitudes Become Form, New Documents, 2013
     (copyeditor and proofreader)

Walter Benjamin, Recent Writings, New Documents, 2013
     (copyeditor and proofreader)

Bik Van der Pol, Between a Rock and a Hard Place, Musagetes, 2013
     (copyeditor)

Lucy Lippard, 4,492,040, New Documents, 2012
     (copyeditor and proofreader)

Antonia Hirsch, ed., Intangible Economies, Fillip Editions, 2012
     (copyeditor and proofreader)

Jeff Khonsary and Kristina Lee Podesva, eds., Institutions by Artists, vol. 1, Fillip Editions, 2012
     (copyeditor and proofreader)

David Horvitz, Sad, Depressed, People, New Documents, 2012
     (copyeditor and proofreader)

Gerry Gauthier, ed., Like Some Pool of Fire, Open Space, Victoria, BC, 2011
     (copyeditor and proofreader)

Online

Curated Bibliographies Project, ArcPost, Vancouver, 2015
     (copyeditor)

Group Critical Writing ResidencyStudio Jamming: Artists’ Collaborations in Scotland, Cooper Gallery, University of Dundee, Scotland, 2014
     (copyeditor)

Legal Books

BC Estate Planning & Wealth Preservation—2017 Update, Continuing Legal Education Society of British Columbia and Law Society of BC, 2017
     (copyeditor and proofreader)

Practice Checklists Manual 2016, Continuing Legal Education Society of British Columbia and Law Society of BC, 2017
     (copyeditor and proofreader)

Expert Evidence in BC Civil Proceedings, 4th ed., Continuing Legal Education Society of British Columbia, 2015
     (copyeditor and proofreader)

William A. Buholzer, Local Government: A British Columbia Legal Handbook, Continuing Legal Education Society of British Columbia, 2015
     (copyeditor and proofreader)

Research and writing

Testimonials